I think the movie Run Lola Run has a very distinct method for sequence, and this unique characteristic of abrupt cuts, fades, and recurring themes helps to guide the film’s nonlinear sequence of events and make it understandable for the viewer. One of my favorite uses of this creative sequencing in the film is the repetition of motifs and shots that stay consistent throughout Lola’s three runs. For instance, each run begins with the spiral cartoon sequence, signaling to the audience that the plot line is restarting, but the subtle differences in each, as she learns of the boy’s presence on the stairwell and accommodates, helps to show what each run will signify as Lola finds the right way to go about her 20 minutes. Each run sequence runs approximately the same amount of time, and has the same elements and characters that recur each time, it is the plot only that changes. The sequences go in roughly the same order each time, which show the viewer exactly how the plot subtly changes, and makes the film have the flashback-like construction that makes it successful in conveying the storyline.

Another more detailed aspect of the sequencing in Run Lola Run is in the mise-en-scene of the actual parts of the run themselves-the repeated motifs throughout the film. The cartoon at the beginning brings the viewer out of the reality and heightened tension of the conclusion of the previous run and acts to wipe the slate and cue as to the outcome of the next run. This splits up the longer shots at the end of each run, but does not seem out of place as it is repeated each time and creates a sort of motif of itself. The image of the ticking clock not only appears in the cartoon sequence and the beginning credits, but also throughout the film as a split screen. This collage of shots reminds the viewer, much like Lola and Manni, that time is running out and helps to create common ground between each of the run sequences. As Lola passes a number of people on the street during her travel, many of them are brushed by, and this fast pacing between elements keeps the action-based meter going and allows the viewer to feel along for the ride. Another element of sequencing involving the people on the street is the many polaroid cuts, which show a number of images flipped in front of the camera that portray the lives of these citizens in under 30 seconds. This sequence mirrors the pace of the rest of the film, showing a lot of life in a short amount of time, and helps break up long shots of running.

Overall, Run Lola Run uses sequencing to keep themes intact throughout the ever-changing plot line, unite the three separate sections of the film, and break up long instances of film to remind the viewer that the clock is ticking.