The Uncomfortable Dream

Dreams are uncomfortable. My first one occurred at three years old. Crying in the waiting room of Burton School of Dance with my Mom, I kept pointing at a framed newspaper of dancers covered in sequins intricately posed surrounded by confetti. All I wanted was to be like them. Finally, my Mom said “Ok, if you wanna do that, you have to go to class.” I understood. I stopped crying, went in, and lived that dream for fifteen years. 

Now, at twenty-one, I understand for dreams to come true, we need to step out of our comfort zones and deal with the unfamiliarity of these dreams. This summer, my dream of existing as a young writer in Paris, France came true– with all of the uncomfortableness I expected. From the trip’s initial cancellation due to Covid-19, my first international flight, a lack of routine, and homesickness– nothing about this trip was easygoing, but I wouldn’t have it any other way. 

Leading up to this program, I was comfortable surviving. The impact of Covid-19 on everyone’s college experience was unimaginable. I remember when I saw the flier for this trip, I didn’t believe it would happen, but I reluctantly applied and was accepted. Slightly excited, I bought my plane ticket, and doubtful yet delighted, I packed. At the airport, I anticipated something keeping me in the U.S. 

But nothing did. 

I awkwardly fell asleep on a Boeing 777 and awoke looking at the digital map in front of me, and I was in Paris! I sat in awe of my dream finally coming true, even though my body felt odd. My legs swelled up and my neck hurt. Arriving in Paris physically tense prefaced the uneasiness I’d encounter these next five weeks. 

To begin, the length of the program felt peculiar to me. Five weeks was not long enough to “Live,” in Paris, but not short enough to be a vacation. This middle ground made it difficult to cultivate friendships with new people and establish a routine. When I settled in my dorm, I quickly met people on my floor from all over the world. We’d greet each other and make small talk, but I would’ve loved to get to know them more. A busy and spontaneous schedule also prevented this. These five weeks were packed with museums, tours, class, and trips. I went from planning every minute in my Google Calendar to waiting for texts from my professors to know what we were doing the next day. It was nice to detach from a strict schedule, but I missed a routine. And I eventually missed my people. 

At the end of the second week, I got homesick. But this was a different type of homesickness. Not only did I miss my family, but I missed my friends too. I learned I’m used to missing my family when I’m in Austin. But when I do, I spend time with my friends who are also from the valley, or I cook home food, or watch the movie Steel Magnolias. And when I’m in the valley and I miss my friends, I FaceTime them, or talk my Mom’s ear off about how great they are. In Paris, I didn’t have either community to offset the yearning for the other. This dose of unfamiliarity coupled with a lack of a routine created a newfound Parisian middle ground. 

I experienced Paris in this duality of loving every stroll along the Seine and completely missing Lady Bird Lake. I giggled over trying escargot for the first time, while longing for a quesadilla. I went to the movies and danced with my new friends in the program, while yearning for a long walk with my best friends.

By the middle of the third week, I grew accustomed to this duality. I am no stranger to the middle ground, and I have found it is the only way to truly experience life. And in the end, that was my dream. I wanted to exist as a young writer in Paris. And this existence meant observing old women sketching outside of cafes, and trying an aperol spritz, and getting tired of French food. It meant debriefing a night out over fresh croissants and espresso at five in the morning before going to the Eiffel Tower. It meant having your professor draw you and your peers who are now your friends, and finding a love for collaging and watercolor after years of fearing drawing. It meant feeling in awe of castles that are actually called chateauxs, and feeling drained in the city but refreshed in the countryside. 

Every piece of wonder on this trip was accompanied by something uneasy. I think that’s how dreams work. When imagining, we only fathom the pleasantries. We might ponder the difficulties, but experiencing them in conjunction with the dream itself might make it anti-climatic. In the end, I wouldn’t change anything about my Paris dream come true. It was refreshing to live this dream in all of its uncomfortable fullness. And I’m ready for the next one. 

Albert Kahn’s Gardens: The Place for Mutual Peace

Sunlight casts a neon glow on green hedges that carve paths to the French garden. Narrow and quick, their ends reveal a 17th century geometric inspired storybook Eden. Dirt paths lined with flower beds lead you through thin wooden arches graced with vines and pink roses. Deeper into the garden a small orchard

Wooden arch with roses in the French garden.

houses various pears and apples. Beyond the French garden, around the greenhouse, following the brown wooden path lies the Vosges Forest. Filled with thick, deep green deciduous trees, this forest paid homage to Albert Kahn’s childhood. 

Original owner of the garden, Albert Kahn was a French banker turned philanthropist. In 1893 he purchased four-hectares in Boulogne, just outside of Paris, France showcases gardens from around the world.  

On the edge of Vosges forest is the meadow and Golden Forest. Filled with spruce and birch trees, the meadow is ruled by native and seasonal wildflowers. The diversity of plants continues into the Blue forest occupied with atlas cedars and Colorado spruces. The rest of the plants are native to the area. Beyond the forests rests the English garden, most noted for its variety of vegetation and fountains. The final garden is the staple image of all four- hectares: the Japanese garden.

On the other side of the rose filled French arches, resides a breath into Japanese serenity. Designed to model a traditional Japanese village, a stream filled with koi fish and lily pads relax the ears with the sound of water flowing against sunlight stricken crystal boulders. On one end of the stream, women sit on stones with Japanese umbrellas and pose near the school of koi fish for photos. Near them, two teenagers sit on rocks edging the water discussing their summer plans. Along the middle of the stream, a giant tree shades a couple of benches where a teenager is sketching. Right next to the tree, is the iconic red bridge. The bridge that appears on Google Images when you search the Albert Kahn garden. The bridge on all of the postcards and tote bags in the gift shop. In the middle of the afternoon, the red of the bridge brightened in the sunlight as fashion students posed on it. On the edge of the stream, couples stroll hand in hand while children run up and down patches of grass and hop on and off stones. 

Koi fish in the stream in the Japanese Garden.

The peace radiating throughout the gardens was no coincidence. Not only did the landscaping and flowers add natural harmony, but you could feel the essence of joy evaporate off of everyone present.   

I had the chance to speak with two women strolling in the garden, Brigid and Linda. Both frequented the gardens at different times in their lives. Brigid shared that as a child, six decades ago, she and her friends “[…] would play hide and seek in the Japanese garden. There were always lots of children here.” She said the garden mostly looks the same from her childhood, but it’s more refined now. And Linda, a former gardener herself, hasn’t been back in a long time. “I like looking at the plants and the land. It’s beautiful,” said Linda. When asked why they decided to come here today, Brigid said “We haven’t seen each other in a long time. And we both know and love this place.” 

While Albert Kahn intended for these gardens to showcase cultural garden diversity, it evolved into a place of mutual bliss among people. And that was the essence of Kahn himself. 

Kahn’s disposition to bring people together is demonstrated in his documentation journey entitled, “Archives of the Planet.” This project consisted of Kahn, geographers, philosophers, and photographers traveling around the world to document people, architecture, and cultures. While photography was the initial medium to record these things, the introduction of motion pictures found its way into this project as well. All of which was funded by Kahn, until he ran out of money. “The Archives of the Planet” occurred from 1909 to 1931. Kahn lost his fortune in the stock-market crash of 1929. 

Since Kahn’s project came to an abrupt halt, the Musee de Albert Kahn was created in 1986 to store the archives. The museum was built right outside of the gardens. Now, people of walks of life peruse “The Archives of the Planet” inside and the serenity of nature outside. 

 

Going, Going, Gone to Paris!

Kessly Salinas is a rising senior at St. Edward’s University majoring in Global Studies. She is from Friona TX. which is in the “Panhandle,” or the top of the state. She is from Friona, a small tight knit community, and Kessly is close to her parents and 5 siblings. We dove into a conversation about what it was like to leave one community for another, and ultimately what it was like to end up here, in Paris, France.

Q: What was leaving home for college like? 

A: It was interesting. I think because I’m in the CAMP Program (College Assistance Migrant Program) it wasn’t as hard because CAMP is also close knit. I know I had a community at St. Edward’s already.

It was really easy for me, but for my parents… it was so hard for them. I was the first person to actually leave– my older siblings went to community college– so they never had a kid leave the nest. For them they always told me: call us, are you ok? What’s going on?” And I’d tell them “Oh I’m ok! I’m just really busy.” 

But at first it was a little hard. I had a little bit of homesickness, but CAMP kept me so busy I feel like I was able to overcome that really quickly. 

Q: Did you ever feel guilty for leaving your family and your town behind? 

A: Uh, kinda… yeah. A lot actually.

I don’t know sometimes I’d think about the closer university that’s about 40 miles– and that’s not much of a drive in the panhandle– that also has a CAMP program. For a while I felt guilty that I wanted to go to St. Ed’s. 

Someone once told me, “You’re leaving because you don’t like it here.” It’s not that I don’t like it here, it’s that I don’t see myself here. I don’t see any opportunities for myself here, and I felt like I needed to go to another city to find those. 

But it was pretty easy to get over the guilt once I got to St. Ed’s. I realized that you’re not always going to please everyone, and you should just focus on what makes you happy.

It took awhile, but it was worth it. 

Q: Thinking about opportunities outside of Friona, what opportunities have you found in Austin these past three years? 

A: There’s one right now I’m really excited about.

I’m a Johnson Turpin Scholar; I was able to get funding and internships, but it started over covid and I was still in Friona. But this upcoming fall, I’m going to have like an internship with a CAMP alum named Nancy Flores. 

She a magazine/newspaper called Austin Vida, that covers the Hispanic community in Austin. For South by Southwest she highlighted a lot of the artists that were coming to Austin that had Hispanic or Latin roots. I’m excited to be working with her. 

I don’t think I ever would have found this if it wasn’t for CAMP and the connections you get at St. Ed’s. 

Another thing which is not really career based is folklorico dancing. Through dance I was able to connect with my roots again! I remember when I was little I would see the big skirts and girls dancing and I always wanted to do that! There was never a dance company close enough for me to do it. So when I got to St. Ed’s I decided to do it– with no dance experience. It’s been fulfilling connecting back to my roots through dance. 

Q: The last time we talked, you mentioned that you never thought you’d be in Paris, or be able to study abroad. Why is that? 

A: I never thought I would leave the nest because all of my older siblings stayed. 

I remember the first day my parents dropped me off, I was told, “If you’re not going to stay, just leave with your parents.” That was such a shock to me because they told us that every year there was at least one student who would leave. They weren’t ready to move on.

So I looked at my parents, and I looked down and I thought, “I’m not gonna leave. Even though I feel like I should leave, I’m not going to.” I just remember trying not to cry in front of my parents because it was so hard for them. I knew if I cried it would make it worse. I was just holding in my tears, telling myself I was ok and that I was going to be ok and it was just the first day. I had to take it one day at a time because I did feel like I would want to go home. 

It was also not ever having someone to look up to– I was the first one who did it. I guess that’s what motivated me. I didn’t want to be like my siblings. I didn’t want to stay in Friona forever; I was ready to move on. Even then, going to Austin, I remember freshman year I thought, “I’m going to study abroad no matter what.” It was never specifically Paris. I just wanted to go t  any country other than Mexico– because I’ve been to Mexico plenty of times! 

And then covid happened. And then I thought, “Am I not supposed to study abroad?” Then I was really scared that the war in Ukraine thing was gonna cancel our trip. I was so scared. So for a while I tried not to give my hopes up. I didn’t want to be disappointed. 

Q: What’s it been like to leave home, Friona, and Austin/ St. Ed’s to study in Paris for the summer? 

A: I feel like it hasn’t sunk in yet.

I’ve been here almost a week?  I think tomorrow will be a week? 

What I was really excited about was getting time off from work. I just thought, “Oh I don’t have to go to work tomorrow,” but really it’s, “Oh I don’t have to go to work tomorrow because I’m in Paris.” It’s definitely taking awhile to sink in, but little by little it will.

I remember two days after I got here I was like, “Oh my god! I’m in Paris! What is going on? How did I get here?”

But leaving was easy because I’ve always wanted to go to another country. It’s been fun. I guess it’s a little harder because I can’t just get in my car and drive home like I do at St. Ed’s. But I remind myself that I’m just a phone call away. I can call my family anytime I get homesick. I just felt excitement for the trip in general. It made it really easy for me to pack my bags and come. 

Q: What are your hopes for these next four weeks? 

A: I hope to get better at French. It was something I didn’t really think I would need as much as I do. I kinda thought, “Oh I’ll be ok, I know English like a lot of people know English!” But I find myself really wanting to learn French. 

Q: How do you want to grow during this trip? 

A: I think this trip will make me grow. I think it’s given me a feel of what it’s like to officially leave the nest. Because back at St. Ed’s, I was able to get in my car and drive home whenever I wanted, and now I’m not able to do that. In a way it’s making me more independent.