Category: ARTS1311

Visual Dictionary: Foundations Art & Design

Elements of Art (personal definitions developed in our group, and photographed examples):

1) Line: a space or connections between two points

Line

Taken by: Anthony Truong-Nguyen

 The dark line crosses the composition directly and boldly, making it a prominent element of the image. The more subtle lines present (of the wood) also present the qualities of line.

2) Shape: illusion or actual connection of lines in a compositional space 

 

3) Texture: noticeable visual/physical feeling/repetition/representation of a surface

Texture

Taken by: Emma Drumright

The repetition of the bristles of the hairbrush (as well as the hair intertwined with the bristles) develops a bumpy and unique arrangement of the surface.

4) Value: gradients of color, from light to dark (and vice versa)

value

Taken by: Michelle DeSantiago

The pumpkin displays a range of brightness across its skin, from the light top, all the way to the darkened middle and bottom.

5) Color: absorption/reflection of light, communicates different tones

color_feather_boas

Taken by: Alex Clarke

The boas exude a vibrant array of tones and reflections of light, from bright yellows to foamy pinks and blues.

color_petticoats

Taken by: Alex Clarke

The skirts in this photograph also communicate a comparison of colors. This image shows the differences by comparing the different colored tutus side by side in similar lighting.

6) Plane: flat dimension of space, can exist in layers

planes_corner

Taken by: Alex Clarke

This image displays multiple three-dimensional planes (diagonal, vertical and horizontal) because of the situation of the stone walls and the surface of the ground. The viewers takes in the image from a “looking-down” point of view, which enables him/her to understand the arrangement of these planes in the space from that certain point of view.

planes_storeside

Taken by: Alex Clarke

This image contains a more prominent horizontal plane (the darker ledge) that stretches in different directions. Even the relatively horizontal lines on the furthest “plane” (the lighter wall) conveys the depth of that certain plane in space.

7) Volume– how much an object takes up space

Volume

Taken by: Anthony Truong-Nguyen

The association of the cup and liquid, as well as the visual amount of space the cup takes up within this composition (as well as the roundness of the edges) notably portrays the volume of an object.

8) Mass– how heavy an object appears

Mass

Taken by: Emma Drumright

This image conveys the form of an object (pillows wrapped in a sheet) within the compositional space. The differences in value and lack of lines attribute to the formation of a sense of the heaviness of the form.

9) Space: area that an object takes/does not take up, or is developed by a line

space

Taken by: Michelle DeSantiago

The white area is developed in this image through the placement of the object (a pill bottle) and the values and lines which create the depth in which the “space” takes up.

10) Light: source that defines forms, creates shadows

 

11) Time/Motion: measure of a sequence; displacement of an object within a composition

Time_1 Time_2  Time_3

(Above) Taken by: Emma Drumright

These images represent motion through the noticeable displacement of the squirrel  across the frames.

Michelletime1 Michelletime2 Michelletime3 Michelletime4

(Above) Taken by: Michelle DeSantiago

These images represent more of a conceptual and visual idea of time through the differences between the images as the plant “grows”.


Principles of Design (personal definitions developed in our group, and photographed examples):

 

1) Unity/Variety: repetition of elements and principles (such as color, line, and shape) that create a sense of cohesion; use of different elements and principles that develops diversity across a composition 

Unity_Variety

Taken by: Emma Drumright

The small flowers within the image all sit in various planes of the images as well as in different shapes (variety). However, they also consist of similar colors and values (unity) which carries the eye across the image.

Unity_Variety, 2

Taken by: Emma Drumright

This image consists of a variance of objects within the composition (the brush, the fork, the light, the orb, the fan). However, the lines of the fan repeat with the lines fork prongs, as well as the lines of the brush and fork handle. The circular nature of the lamp, the curve of the fan, and the orb also tie the piece together.

2) Balance: objects/shapes have and/or create the same volume and/or mass within a composition

Balance

Taken by: Anthony Truong-Nguyen

The rectangles of the tiles are highly symmetrical, and are each present within the image in an equal way (more or less). The perpendicular intersections of the light grey lines also produce a very geometric, standing balance to the image.

3) Scale/Proportion: size of objects; size of objects in relation to each other

tree_proximity

Taken by: Alex Clarke

The tree within the foreground of this image in comparison to the repeated trees in the background presents a stark difference in scale because of the presentation/viewpoint.

proximity_storefront_furniture

Taken by: Alex Clarke

Like the image before, there is a noticeable difference in scale between the tables in this image.

4) Rhythm: repetition of an element or an idea that can develop the illusion/sensation of movement

rhythm

Taken by: Michelle DeSantiago

The repetition of the lines and dots (with varied colors) create a movement across the image by allowing the eye to follow the shapes as they advance.

5) Emphasis: use of the elements of art to bring attention to an object/idea

100 Solutions for an everyday object (ARTS1311 Foundation Art & Design)

Cranky

“Cranky”

Flower Hat Guy, Contemplating Everything

“Flower Hat Guy, Contemplating Everything”

 

For my object, I selected a small, porcelain, house-like container that I have had since I was little. The box has flower adornments as well as gold-tinted lining, a bird, and a frog (all porcelain as well). At first I had trouble selecting an object to photograph (I was bouncing between a clothespin, a Styrofoam board, a small, metallic/cranking music box, and this small frog-bird-flower house.

Attitude!

“Laying…with Attitude!”

 

After shooting test shots with all of the potential objects, I gradually realized that this box had a certain charm and potential to it; it had an interesting variation of colors (the dominant milky white, the gold lining, the dark forest green, and the bright, poppy-orange), as well as shapes (the rectangular inside, the triangular top, and the oblong frog). The outer lines of house could also create dynamic compositions within the photographs.

The Trumpeteer

“The Trumpeter”

Momento

“Momento”

 

 

Fan

“Smallest Fan”

 

Out of the 100 images I shot, I found these ten to have the clearest thoughts behind the house’s position in the space, its interaction with other materials, and the most compelling developments of shape, lines, color, and perspective.

 

 

With many of the photographs (such as the ones titled “Flower hat guy…”, “Cranky”, “Trumpeter”, and “The Spectator”) I began to create characters by finding faces and other lively characteristics within the decorations on the box and other objects within the space. I discovered that developing personas became a beneficial way to capture meaning and humor within the photos. Thinking on a human-recognition basis also helped me develop ideas for the future photographs.

One of my favorites (out of the favorites), however, has turned out to be the photograph with the caption “Box City” (which does not contain inspiration from human/life-like features or behaviors). The blurred planes created from the background (with the hint of the miniature Austin skyline) glide behind the now seemingly large porcelain box. The gold tints of the concrete sign that the house is on creates a great unity within the photograph.

The Spectator

“The Spectator”

 

Box City

“Box City”

Porcelain Bridge

“Porcelain Bridge”

 

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